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#11
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#12
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On Tue, 16 Nov 2004 14:14:43 +0100, Steve Maddison
wrote: Personally, I think there's point enough! I for one would be very interested to see what kind of difference aperture makes, even if the sketches were made under different conditions than I'm used to. On second (or third) thought, you're right. There *are* sufficient reasons to go ahead with this project! A bit of collaborative effort could however result in a very useful and valuable guide for beginners and intermediates alike. While collaboration has its benefits (greater range of optics, altitude, sky darkness, etc.) it would be better IMO for a single person to do the whole set of sketches. That would likely be the best way of ensuring the consistency necessary in order for the sketches to show only the variations in sky brightness or equipment -- effectively eliminating the compounding of variables. Sketcher To sketch is to see. |
#13
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#14
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Sketcher wrote:
On Tue, 16 Nov 2004 14:14:43 +0100, Steve Maddison wrote: Personally, I think there's point enough! I for one would be very interested to see what kind of difference aperture makes, even if the sketches were made under different conditions than I'm used to. On second (or third) thought, you're right. There *are* sufficient reasons to go ahead with this project! I'm glad you think so! A bit of collaborative effort could however result in a very useful and valuable guide for beginners and intermediates alike. While collaboration has its benefits (greater range of optics, altitude, sky darkness, etc.) it would be better IMO for a single person to do the whole set of sketches. That would likely be the best way of ensuring the consistency necessary in order for the sketches to show only the variations in sky brightness or equipment -- effectively eliminating the compounding of variables. Yep, for the sake of consistency that would certainly be ideal. Either that or some kind of guidelines, which I can imagine most sketchers wouldn't take too kindly to. The pleasure taken in an activity is often inverserly proportional to the amount of rules imposed... Anyway, keep up the good work - I'd be sketching more myself if my time at the eyepiece wasn't so limited by the weather! --Steve |
#15
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![]() "Sketcher" wrote in message ... On Tue, 16 Nov 2004 11:38:49 -0500, "Stephen Paul" wrote: It's a done deal. 1) Planets and moon are not subject to light pollution, and make the perfect target for a nice refractor on a traditional GEM with RA drive. 2) For deep sky there's GoTo and CCD. and therein lies the 'bright' future of amateur astronomy. I certainly am among those who wish it weren't so. -Stephen |
#16
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Sketcher wrote in message . ..
What point is there to sketching deepsky objects at 2-inch, 3-inch, 4.5-inch, etc. apertures when sky conditions can make one person's 2-inch views superior to another person's 8-inch views? Seriously, I think it would be a disservice particularly to newbies who have no idea how good (or more likely, how bad) their skies really are. There's quite a lot of value -- but it's important to realize that sky brightness is as important as aperture in how an object appears. Really, you need a two-dimensional matrix. Because just as no amount of aperture will allow you to see the outer disk of M33 at full Moon, just so no amount of sky darkness will allow you to resolve individual stars in M13 with a 2-inch scope. And, of course, one has to provide some way for inexperienced people to estimate the quality of their skies. A tough problem, but not utterly intractable. Most people, amateur astronomers included, live in cities. On the contrary! Most people live in suburbs. Cities are as much an endangered species, if not more so, than rural areas. My views from rural Montana are obsolete, outdated, unrealistic. They no longer reflect what most others might expect to see. That sounds too romantic to me. Yes, only a small part of the population of the industrialized world lives in rural areas -- which has been true since World War II or before, and has been overwhelmingly true since the 1950's. Because of hard economic realities, jobs are overwhelmingly concentrated in urbanized areas -- which in many ways is a good thing for dark skies. If that weren't true, light pollution would be spread uniformly across the country, instead of leaving huge dark areas, as there are now. For most people, seeing dark skies is going to require travel. But as people get more prosperous, travelling to dark skies becomes ever more practical. So I would argue that access to dark skies is actually increasing, not decreasing. - Tony Flanders |
#17
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#18
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Sketcher wrote in message . ..
On February 7, 1998 I observed the Crab Nebula when a gibbous (9 day 20hr 54min old) moon was 5 degrees 40 minutes distant from M1. The Crab was visible with 20x80 binoculars as well as with a 25cm Newtonian stopped down to a 4 inch aperture. This was from a rather clean, rural Montana sky. Of course, a full moon is brighter than even a gibbous moon . . . Yes, a full Moon is at least 3X brighter than a 9-day gibbous Moon -- a huge difference! On the other hand, the sky 6 degrees away from the Moon is many times brighter than the sky 90 degrees from the Moon. Oh yes, and there's about a 30% difference between a perigee full Moon and an apogee full Moon. As a rule of thumb, figure that the zenith is about as bright in the country at a full Moon as it normally is in a typical densely populated suburb, or a sparsely populated city. (Almost all western cities count as sparsely populated.) If you're right near a car dealer, a prison, or a poorly lit shopping center, the sky may be much worse, regardless of population density. A typical dark suburb is about one magnitude darker than that. At that level, a 50% illuminated Moon has only a very minor additional effect on the sky brightness, unless your target is right near the Moon. I certainly can see M1 in my 70mm refractor from here in Cambridge, Massachusetts, and to me it's not even all that hard, but I'm sure it would stymie almost all beginners. - Tony Flanders |
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