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On Sep 21, 12:39*am, (Paul Ciszek) wrote:
My camera has a choice of "white balance" settings. *If I use "Sunlight" on the assumption that the moon is a sunlight landscape, photos of the moon come out looking a little brownish. *If I use "Auto", the moon appears nearly colorless. *The former coloration is not implausible, but which is closer to the truth? Fortunately, I can make this decision retroactively for photos shot in RAW mode. -- "Remember when teachers, public employees, Planned Parenthood, NPR and PBS crashed the stock market, wiped out half of our 401Ks, took trillions in TARP money, spilled oil in the Gulf of Mexico, gave themselves billions in bonuses, and paid no taxes? Yeah, me neither." How exactly did our naked and physically dark moon become so unusually monochromatic, reflective and inert? The moon is not actually monochromatic nor inert: Moon’s natural surface colors are those of all the perfectly natural minerals as they unavoidably react to the visible and UV spectrum, as only better viewed with having their natural color/hue saturation cranked up, as otherwise there’s no false or artificial colors added. http://spaceweather.com/submissions/...1346444660.jpg http://www.spaceweather.com/swpod200...4dnmol44vuaf43 Oddly the NASA/Apollo era and their rad-hard Kodak version of our physically dark and paramagnetic moon is apparently the one and only off-world location that becomes more inert as well as more reflective and monochromatic by the closer you get to it, and any planet other than Earth simply can’t be recorded within the same FOV as having the horizon of that naked moon (regardless of the FOV direction or use of any given lens, as well as not even possible when using the world’s best film and optics along with a polarized optical filter to reduce the local surface glare doesn’t seem to help). http://groups.google.com/groups/search http://translate.google.com/# Brad Guth,Brad_Guth,Brad.Guth,BradGuth,BG,Guth Usenet/”Guth Venus” |
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