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http://tinyurl.com/8d8m9
[begin quoted material] Because the members were presidential appointees, they had to meet the same rigorous background checks any other appointee faces. Rusthoven -- familiar with those procedures, the White House and legal issues that might arise -- was asked to be general counsel as the commission began its work. In the month he worked with the commission, Rusthoven was among the few who saw video before it was released to the public, and heard initial reports and testimony from NASA employees who had not wanted to proceed with that day's launch because of cold weather. "I vividly remember seeing some of that dramatic video footage, a puff of smoke coming out of the side" of the shuttle, the first indication that something was wrong, he said. [end quoted material] Peter Rusthoven, "after serving from 1981 to 1985 as an associate counsel to President Ronald Reagan," apparently did not work for Rogers long enough (only a critical "one month") to qualify as a member of the Commission's staff: http://history.nasa.gov/rogersrep/v1comm.htm#staff The Rogers Commission held its first hearing on February 6, 1986. News of "puffs" at lift-off did not reach the media until a week later. Photos from film cameras appeared at that time. I don't recall *ever* seeing "dramatic video footage" of a puff, although after the Rogers Report was released, I did see barely discernible smoke at the location claimed for a "puff," on FOIA video footage from camera TV-3. Since I'm not a lawyer, if anyone here saw "dramatic" video (such as Rusthoven described) in an earlier release, I would very much appreciate knowing where and when. Challenger's Ghost |
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It could of been from one of the film cameras that saw the smoke (E60, E63, E20, E41, E31, E71, E52, or E217 (co-located with TV-3)). People often call video, "film." It could of been, they were calling film, "video" as the film was transferred to video?
-Boringguy Quote:
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#4
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On Tue, 19 Jul 2005 07:20:08 -0500, boringguy wrote
(in article ): It could of been from one of the film cameras that saw the smoke (E60, E63, E20, E41, E31, E71, E52, or E217 (co-located with TV-3)). People often call video, "film." It could of been, they were calling film, "video" as the film was transferred to video? -Boringguy Please don't feed the conspiratorial trolls. Google "John Thomas Maxson" for all you need to know of "Challenger's Ghost." :-/ -- "Fame may be fleeting but obscurity is forever." ~Anonymous www.angryherb.net |
#5
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boringguy wrote:
It could of been from one of the film cameras that saw the smoke (E60, E63, E20, E41, E31, E71, E52, or E217 (co-located with TV-3)). People often call video, "film." It could of been, they were calling film, "video" as the film was transferred to video? In the case of E60 and E63, that may be one of the first things which comes to mind, since Rusthoven referred to a "puff" of smoke. I rejected that possibility for the following reasons: 1) Knowing there would surely be intense scrutiny of his initial 51-L actions on behalf of Reagan, surely a high-level *attorney* with Rusthoven's reputation would be aware of (and be careful to make) a clear distinction between recording-media and camera-type. 2) He said he saw only "some" of the video referred to, before it was *released to the public*. I vaguely recall seeing at least one frame from TV-3 on a mid-February 1986 broadcast. It had a magnifying-glass highlight showing a wisp of right-aft outboard smoke. 3) The same wavy TV-3 video was released via FOIA in the summer of 1986, with the same frame highlighted in an identical manner. By *then*, some might have thought of it as a "puff." 3) It seems more likely that Rusthoven had initially seen *selected* film photos. (According to the Rogers Report, all were admittedly *enhanced* to show "puffs," and many had no camera number or Mission Elapsed Time.) From those, Rusthoven may have subjectively *projected to video* the concept of "puff" (especially after nearly twenty years). Having said all that, I'm still willing to digest any new information which comes my way, even if ultimately it's from Rusthoven himself. (I haven't seen anything resembling "puffs" from any of the other cameras you mention, but I'm certainly willing to look at any you can provide.) Challenger's Ghost |
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Using these photos from NASA film camera E63 as a guide,
http://history.nasa.gov/rogersrep/v1p25.htm would it be correct to assume that one should normally expect to see nothing but clear sky in the locations where the yellow and red arrows point here? www.mission51l.com/art/UPIsmoke.jpg The TSM definition appears good enough to be helpful, as well as the tip of the ET relative to the top of the FSS. Challenger's Ghost Copyright 2005 All rights reserved. |
#7
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boringguy wrote:
It could of been, they were calling film, "video" as the film was transferred to video? Why transfer it to video at all? That wasn't done for the Rogers Report, and the major broadcasters had no problem belatedly televising film photos of alleged "puffs" at lift-off. From a government attorney's perspective, doesn't reference to a "puff" seen on "dramatic video footage" deflect public attention from government-impounded *film* exposed by press cameras which recorded the lift-off? As I recall, only negatives were returned to the press, not the film. One must admit that this procedure allowed time for "enhancing" and/or retouching of the press photos, whether or not such was actually done. I have some bitterly adverse experience with the NY Times, concerning a broken promise that paper made to photographically support a story about my prelaunch warnings and my reporting of launch events. As I understand it, that firm was the only one to attempt to recover its original film. Challenger's Ghost |
#8
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#9
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In article .com,
" wrote: As I recall, only negatives were returned to the press, not the film. One must admit that this procedure allowed time for "enhancing" and/or retouching of the press photos, whether or not such was actually done. lolol There apears to be a slight .. uh ... gap in your photographic knowledge, which renders your whole point ridiculous and invalid. -- Bruce | 41.1670S | \ spoken | -+- Hoult | 174.8263E | /\ here. | ----------O---------- |
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Bruce Hoult wrote:
In article .com, " wrote: As I recall, only negatives were returned to the press, not the film. One must admit that this procedure allowed time for "enhancing" and/or retouching of the press photos, whether or not such was actually done. lolol There apears to be a slight .. uh ... gap in your photographic knowledge, which renders your whole point ridiculous and invalid. I've never thought of myself as an omni, far from it. I'll admit to not knowing as much as I should about film writers in general. In particular, I have not researched the film writer in use at the Lunar Planetary Institute in 1986. Any insight you can provide in that area would be helpful. See: http://history.nasa.gov/rogersrep/v3n17b.htm For the next link, scroll down to page [N18] 4. Enhancement Systems: http://history.nasa.gov/rogersrep/v3appn.htm#n5 Even if the film writer in use by NASA (shown/discussed as part of the VAST system) had no film-output capability, it's my understanding that Technicolor was able to reproduce for NASA both "enhanced" positives and "enhanced" negatives (from original film and from masters). I believe I was sent at least one of those from KSC (in response to a FOIA request for a copy where I specified *no* enhancements). Fill me in though; I'm never too old to learn. The bottom line is that I have put one of the press photos under the magnifying glass, in more ways than one. I consider what I have found from that analysis to be of exceptional value to my understanding of the origin of the 51-L lift-off smoke under discussion here. Challenger's Ghost |
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